LATINIDAD CONTEMPORÁNEA MAINSTREAM:
CUENTOS DISNEY Y PERSISTENCIA DEL (ESTEREOTIPO) SPITFIRE
Palabras clave:
Disney, spitfire, raza mixta, neoliberalismo, post-racismo, post feminismo, etnicidad, hibridez, Latinidad, LatinasResumen
Este ensayo explora la presencia contemporánea de la Latinidad en la cultura popular mainstream de Estados Unidos. Desde dentro de la situación contemporánea de lo post-racial, post-feminista, neoliberal y de los discursos del meztizaje racial, este ensayo utiliza teorías de los estudios de medios de comunicación, mestizaje y etnicidad para investigar a las Latinas contemporáneas generadas por la industria, especialmente por Disney, y a través de sus propios esfuerzos para permanecer en la popularidad más allá del encasillamiento al estereotipo spitfire.
Citas
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Beltran, M. C. (2009). Latina/o Stars in US Eyes: The Making and Meaning of Film and TV Stardom. Urbana, IL.: University of Illinois Press.
Bulut, E., Mejia, R., & McCarthy, C. (2014). Governance through Philitainment: Playing the Benevolent Subject. Communication and Critical-Cultural Studies, 11(4), 342-361. doi: http://dx.doi.org/10.1080/14791420.2014.951948
Echegaray, L.M. (18 September, 2016). When it comes to the Emmys, where are the Latino nominees? The Guardian. Retrieved from http://www.theguardian.com/tv-and-radio/2016/sep/18/when-it-come-to-the-emmys-few-latino-nominees.
Enloe, C. (2014). Bananas, Beaches and Bases: Making Feminist Sense of International Politics, Completely Revised and Updated. Berkeley: University of California Press.
International Central Institute for Youth and Educational Television (IZI). (2008). Girls and Boys and Television: The Role of Gender. Televizion (Special issue), 21. Retrieved from http://www.br-online.de/jugend/izi/english/publication/televizion/21_2008_E/21_2008_E.htm
Lacroix, C. (2004). Images of Animated Others: The Orientalization of Disney's Cartoon Heroines from the Little Mermaid to the Hunchback of Notre Dame. Popular Communication, 2(4), 213-29.
Mendible, M. (2007). From Bananas to Buttocks: The Latina Body in Popular Film and Culture. Austin, TX.: The University of Texas Press.
Molina-Guzman, I. (2006). Mediating Frida: Negotiating Discourses of Latina/o Authenticity in Global Media Representations of Ethnic Identity. Critical Studies in Media Communication, 23(3), 232-251.
Molina-Guzmán, I. (2007). Salma Hayek’s Frida: Transnational Latina bodies in Popular Culture. In M. Mendible (Ed.), From Bananas to Buttocks: The Latina Body in Popular Film and Culture (pp. 117-128). Austin, TX: The University of Texas Press.
Molina-Guzmán, I. (2010). Dangerous Curves: Latina Bodies and the Media. New York: NYU Press.
Molina-Guzman, I. (2012). Modern Family’s Latina spitfire in the era of white resentment. Flow. Retrieved from http://www.flowjournal.org/2012/11/modern-family%E2%80%99s-latina-spitfire/
Molina-Guzman, I. & Valdivia, A. N. (2004). Brain, Brow or Bootie: Iconic Latinas in Contemporary Popular Culture. Communication Review, 7(2), 205-221.
Mukherjee, R. (2014). Rhyme and reason: ‘post-race’ and the politics of colorblind racism. In S.E. Turner & S. Nilsen (Eds.), The Colorblind Screen: Race and Television in Contemporary America (pp. 39-56). New York, NYU Press.
Negrón-Muntaner, F., Abbas, C., Figueroa, L., & Robson, S. (2014). The Latino media gap: A report on the state of Latinos in U.S. media. New York, NY: Center for the Study of Ethnicity and Race. Retrieved from http://www.media-alliance.org/downloads/Latino_Media_Gap_Report.pdf
Nakamura, L. & Chow-White, P. (2012). Race after the internet. New York: Routledge.
Nishime, L. (2014). Undercover Asian: Multiracial Asian Americans in Visual Culture. Urbana, IL.: University of Illinois Press.
Parédez, D. (2009). Selenidad: Selena, Latinos, and the Performance of Memory. Durham: Duke University Press.
Rome, E. (October 16, 2012). “Sofia the First”: Disney’s First Hispanic Princess? Entertainment Weekly. Retrieved from http://www.ew.com/article/2012/10/16/disney-princess-sofia-the-first-latina
Saylor, E. (2012). Latinos drive video game sales. Blog.Viacom. Retrieved from http://blog.viacom.com/2012/11/latinos-drive-video-game-sales/
Stelter, B. (2013, February, 21). Soledad O’Brien to Take on New Role at CNN. Retrieved September 19, 2016 from http://mediadecoder.blogs.nytimes.com/2013/02/21/soledad-obrien-to-take-on-new-role-at-cnn/?_r=0
Stoler, A. L. (1995). Race and the Education of Desire: Foucault's History of Sexuality and the Colonial Order of Things. Durham: Duke University Press.
Squires, C. R. (2014). The Post-Racial Mystique: Media and Race in the Twenty-First Century. New York: NYU Press.
Tasker, Y. & Negra, D. (2007). Feminist Politics and Postfeminist Culture. In Y. Tasker, & D. Negra (Eds.), Interrogating PostFeminism: Gender and the Politics of Popular Culture (pp.1-26). Durham, NC: Duke University Press.
Valdivia, A. N. (1998). Stereotype or Transgression? Rosie Perez in Hollywood Film. The Sociological Quarterly, 39(3), 393-408.
Valdivia, A.N. (2000). A Latina in the Land of Hollywood and other essays in media culture. Tucson: University of Arizona Press.
Valdivia, A. N. (2009). Mixed race on Disney Channel: From Johnnie Tsunami to the Cheetah Girls. In M. Beltrán & C. Fojas (Eds.), Mixed Race Hollywood: Multiraciality in Film and Media Culture (pp. 269-289). New York: NYU Press.
Valdivia, A.N. (2010). Latina/os and the media. Cambridge and Malden: Polity Press.
Valdivia, A. N. (2011). Transnationalism, hybridity, and Latinidad: Gendered Discourses of Ethnicity. In R. Hegde (Ed.), Circuits of Visibility: Gender and Transnational Media Cultures (pp. 53-67). New York: NYU Press.
Williams, A. (July 20, 2016). 10 things you should know about Disney’s newest princess, “Elena of Avalor”. ABC News. Retrieved from http://abcnews.go.com/Entertainment/10-things-disneys-newest-princess-elea-avalor/story?id=40716449
Beltran, M. C. (2009). Latina/o Stars in US Eyes: The Making and Meaning of Film and TV Stardom. Urbana, IL.: University of Illinois Press.
Bulut, E., Mejia, R., & McCarthy, C. (2014). Governance through Philitainment: Playing the Benevolent Subject. Communication and Critical-Cultural Studies, 11(4), 342-361. doi: http://dx.doi.org/10.1080/14791420.2014.951948
Echegaray, L.M. (18 September, 2016). When it comes to the Emmys, where are the Latino nominees? The Guardian. Retrieved from http://www.theguardian.com/tv-and-radio/2016/sep/18/when-it-come-to-the-emmys-few-latino-nominees.
Enloe, C. (2014). Bananas, Beaches and Bases: Making Feminist Sense of International Politics, Completely Revised and Updated. Berkeley: University of California Press.
International Central Institute for Youth and Educational Television (IZI). (2008). Girls and Boys and Television: The Role of Gender. Televizion (Special issue), 21. Retrieved from http://www.br-online.de/jugend/izi/english/publication/televizion/21_2008_E/21_2008_E.htm
Lacroix, C. (2004). Images of Animated Others: The Orientalization of Disney's Cartoon Heroines from the Little Mermaid to the Hunchback of Notre Dame. Popular Communication, 2(4), 213-29.
Mendible, M. (2007). From Bananas to Buttocks: The Latina Body in Popular Film and Culture. Austin, TX.: The University of Texas Press.
Molina-Guzman, I. (2006). Mediating Frida: Negotiating Discourses of Latina/o Authenticity in Global Media Representations of Ethnic Identity. Critical Studies in Media Communication, 23(3), 232-251.
Molina-Guzmán, I. (2007). Salma Hayek’s Frida: Transnational Latina bodies in Popular Culture. In M. Mendible (Ed.), From Bananas to Buttocks: The Latina Body in Popular Film and Culture (pp. 117-128). Austin, TX: The University of Texas Press.
Molina-Guzmán, I. (2010). Dangerous Curves: Latina Bodies and the Media. New York: NYU Press.
Molina-Guzman, I. (2012). Modern Family’s Latina spitfire in the era of white resentment. Flow. Retrieved from http://www.flowjournal.org/2012/11/modern-family%E2%80%99s-latina-spitfire/
Molina-Guzman, I. & Valdivia, A. N. (2004). Brain, Brow or Bootie: Iconic Latinas in Contemporary Popular Culture. Communication Review, 7(2), 205-221.
Mukherjee, R. (2014). Rhyme and reason: ‘post-race’ and the politics of colorblind racism. In S.E. Turner & S. Nilsen (Eds.), The Colorblind Screen: Race and Television in Contemporary America (pp. 39-56). New York, NYU Press.
Negrón-Muntaner, F., Abbas, C., Figueroa, L., & Robson, S. (2014). The Latino media gap: A report on the state of Latinos in U.S. media. New York, NY: Center for the Study of Ethnicity and Race. Retrieved from http://www.media-alliance.org/downloads/Latino_Media_Gap_Report.pdf
Nakamura, L. & Chow-White, P. (2012). Race after the internet. New York: Routledge.
Nishime, L. (2014). Undercover Asian: Multiracial Asian Americans in Visual Culture. Urbana, IL.: University of Illinois Press.
Parédez, D. (2009). Selenidad: Selena, Latinos, and the Performance of Memory. Durham: Duke University Press.
Rome, E. (October 16, 2012). “Sofia the First”: Disney’s First Hispanic Princess? Entertainment Weekly. Retrieved from http://www.ew.com/article/2012/10/16/disney-princess-sofia-the-first-latina
Saylor, E. (2012). Latinos drive video game sales. Blog.Viacom. Retrieved from http://blog.viacom.com/2012/11/latinos-drive-video-game-sales/
Stelter, B. (2013, February, 21). Soledad O’Brien to Take on New Role at CNN. Retrieved September 19, 2016 from http://mediadecoder.blogs.nytimes.com/2013/02/21/soledad-obrien-to-take-on-new-role-at-cnn/?_r=0
Stoler, A. L. (1995). Race and the Education of Desire: Foucault's History of Sexuality and the Colonial Order of Things. Durham: Duke University Press.
Squires, C. R. (2014). The Post-Racial Mystique: Media and Race in the Twenty-First Century. New York: NYU Press.
Tasker, Y. & Negra, D. (2007). Feminist Politics and Postfeminist Culture. In Y. Tasker, & D. Negra (Eds.), Interrogating PostFeminism: Gender and the Politics of Popular Culture (pp.1-26). Durham, NC: Duke University Press.
Valdivia, A. N. (1998). Stereotype or Transgression? Rosie Perez in Hollywood Film. The Sociological Quarterly, 39(3), 393-408.
Valdivia, A.N. (2000). A Latina in the Land of Hollywood and other essays in media culture. Tucson: University of Arizona Press.
Valdivia, A. N. (2009). Mixed race on Disney Channel: From Johnnie Tsunami to the Cheetah Girls. In M. Beltrán & C. Fojas (Eds.), Mixed Race Hollywood: Multiraciality in Film and Media Culture (pp. 269-289). New York: NYU Press.
Valdivia, A.N. (2010). Latina/os and the media. Cambridge and Malden: Polity Press.
Valdivia, A. N. (2011). Transnationalism, hybridity, and Latinidad: Gendered Discourses of Ethnicity. In R. Hegde (Ed.), Circuits of Visibility: Gender and Transnational Media Cultures (pp. 53-67). New York: NYU Press.
Williams, A. (July 20, 2016). 10 things you should know about Disney’s newest princess, “Elena of Avalor”. ABC News. Retrieved from http://abcnews.go.com/Entertainment/10-things-disneys-newest-princess-elea-avalor/story?id=40716449
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Publicado
21-03-2016
Cómo citar
N. Valdivia, A. (2016). LATINIDAD CONTEMPORÁNEA MAINSTREAM:: CUENTOS DISNEY Y PERSISTENCIA DEL (ESTEREOTIPO) SPITFIRE. LÍMITE Revista Interdisciplinaria De Filosofía Y Psicología, 11(37). Recuperado a partir de https://revistalimite.uta.cl/index.php/limite/article/view/67
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